By Uyen Hua
Poetry. Asian American reports. the non-public is the cultural! an exhilarating introspective descent into the inferno of pop culture, the place one's psychic lifestyles is a fancy and troubling net of private family with stunning icons. not one of the postmodern snark, all the nuanced horror of an international the place there's not anything yet popularity, yet status itself has develop into a wholly naturalized or even banal colonization of the human . A bold and implacable analysis of capital's imageworld, and the destiny of the sad cognizance inside it. additionally: hilarious.
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Y. - like, and is it so wrong that i think jesse mccartney is kind of good? tonight, you sit beside a window on the top floor, looking out into the street and imagining that each twinkling light is a small diamond on the western infrastructure’s collective grillright now, all the planks of hardwood on the bottom of your apartment, or the top of the building, are asleep and you watch them carefully and see the nails drag down like quotationsdesperate to remain in the first person, you write in a font that trivializes the ellipsis- begin: "the self-isolation that results from a technology that insists on two degrees of kevin bacon—" 33 dä-gěr’ for everything that can be divided between us we come to one understanding about it having all been about people— we’re here, but we split up again to respective towns where "people" stands for either faces 1.
This means, what does it mean to argue in a kitchen. " or, sometimes you’re samuel l. jackson. 38 we listen to old songs: that at some point were "our song"s with various old our persons. we listen to old songs: and remember feeling like we could never feel this way again; and still we are here, and we listen to old songs. " we listen, lean closely, and this is important—yesterday there were two hundred thousand seven hundred and sixty five "us"s with ninety-seven thousand five hundred and fifty-one "ours songs" and six hundred seventy-five thousand nine hundred and ninety-nine previous "us"s between them.
We listen, lean closely, and this is important—yesterday there were two hundred thousand seven hundred and sixty five "us"s with ninety-seven thousand five hundred and fifty-one "ours songs" and six hundred seventy-five thousand nine hundred and ninety-nine previous "us"s between them. today there are 27 less. we listen to old songs; we think of when every piece of the world was held together; and we want to be whole again: put fast forward and rewind to work; we push fast forward for rewind to work: new songs become old; jessica simpson’s cover of a berlin song that played during her first kiss with her ex husband, because she put it on.
a-s-l by Uyen Hua